From Here to the Horizon presents the work of fifty of America’s leading contemporary landscape photographers in honor of the life and influence of Barry Lopez (1945–2020), one of our most revered writers about the landscape and our place within it. Work by each photographer was selected in relation to, and accompanied by, an excerpt from the best-selling book Home Ground: A Guide to the American Landscape, a reader’s A-to-Z guide to American landscape terms, edited by Lopez and Debra Gwartney. With images reflecting landforms or locations and others that are more evocative, the collection creates a portrait of the beauty, diversity, and abundance found in our shared North American topography. For Lopez, the land was never simply a background for human activity but reflected our aspirations and desires, both as individuals and communities. He had a particular affinity with photographers, and some have compared his precise, crystalline language to the artistry found in photography. As Virginia Beahan noted, “What impressed me so much about Barry’s writing was the slow-moving attention to detail . . . as he tried to make sense of the world. The collection includes leading photographers such as Virginia Beahan, Barbara Bosworth, Frank Gohlke, Lois Conner, Emmet Gowin, Mark Klett, David Maisel, Laura McPhee, Andrew Moore, Mark Ruwedel, and essays by Debra Gwartney, Robert Macfarlane, and Toby Jurovics. From Here to the Horizon serves as a marker of the admiration of and affection for Lopez and will spark the imagination of places we already know, or hope to one day visit, or may never see but carry with us because of the life-affirming work of writers like Lopez. Photographers: Robert Adams, Virginia Beahan, Marion Belanger, Michael Berman, Andrew Borowiec, Barbara Bosworth, Joann Brennan, Gregory Conniff, Linda Connor, Lois Conner , Thomas Joshua Cooper, Robert Dawson, Peter de Lory, Lucinda Devlin, Rick Dingus, Terry Evans, Lukas Felzmann, Steve Fitch, Frank Gohlke, Peter Goin, Emmet Gowin, Wayne Gudmundson, Owen Gump, David T. Hanson, Alex Harris, Allen Hess, Ron Jude, Robert Glenn Ketchum, Mark Klett, Stuart Klipper, Peter Latner, David Maisel, Laura McPhee, Andrew Moore, Eric Paddock, Mary Peck, Edward Ranney, Jeff Rich, Meghann Riepenhoff, Mark Ruwedel, Mike Smith, Joel Sternfeld, Martin Stupich, Willy Sutton, Bob Thall , Terry Toedtemeier, Geoff Winningham, Dennis Witmer, and William Wylie Writers: Jeffery Renard Allen, Kim Barnes, Conger Beasley Jr., Lan Samantha Chang, Michael Collier, Elizabeth Cox, William deBuys, Pamela Frierson, Robert Hass, Patricia Hampl, Emily Hiestand, Linda Hogan, Barbara Kingsolver, William Kittredge, Gretchen Legler, Ellen Meloy, Robert Morgan, Antonya Nelson, Pattiann Rogers, Scott Russell Sanders, Eva Saulitis, Donna Seaman, Carolyn Servid, Kim Stafford, Arthur Sze, D. J. Waldie, Joy Williams, Terry Tempest Williams, and Larry Woiwod

Hailed by book reviewers as a "masterpiece," "gorgeous and fascinating," and "sheer pleasure," Home Ground: Language for an American Landscape was published in fall 2006 in hardcover. It was met with outstanding reviews and strong sales, going into three printings. A language-lover's dream, this visionary reference revitalized a descriptive language for the American landscape by combining geography, literature, and folklore in one volume. This is a totally redesigned, near-pocket-sized field guide edition of the best-selling hardcover. Home Ground brings together 45 poets and writers to create more than 850 original definitions for words that describe our lands and waters. The writers draw from careful research and their own distinctive stylistic, personal, and regional diversity to portray in bright, precise prose the striking complexity of the landscapes we inhabit. Includes an introductory essay by Barry Lopez. At the heart of the book is a community of writers in service to their country, emphasizing a language suggesting the vastness and mystery that lie beyond our everyday words.

Part history, part memoir, I Am a Stranger Here Myself taps dimensions of human yearning: the need to belong, the snarl of family history, and embracing womanhood in the patriarchal American West. Gwartney becomes fascinated with the missionary Narcissa Prentiss Whitman, the first Caucasian woman to cross the Rocky Mountains and one of fourteen people killed at the Whitman Mission in 1847 by Cayuse Indians. Whitman's role as a white woman drawn in to ""settle"" the West reflects the tough-as-nails women in Gwartney's own family. Arranged in four sections as a series of interlocking explorations and ruminations, Gwartney uses Whitman as a touchstone to spin a tightly woven narrative about identity, the power of womanhood, and coming to peace with one's most cherished place.

With four young daughters and a miserably failed marriage, Debra Gwartney moves halfway across the country to Eugene, Oregon, for a new job and what she hopes will be a new life for herself and her daughters. The two oldest, Amanda, 15, and Stephanie, 13, have a symbiotic relationship so intense they barely know where one begins and the other leaves off. They come to blame their mother for their family's dislocation and one day the two run off together--to the streets of their own city, then San Francisco, then utterly gone. Faced with the unraveling of the family she thought she could hold together through blind love, Gwartney begins the painful--and universal--journey of recognizing her own flawed motivations as a mother. "Live Through This "chronicles Gwartney's frantic efforts to recover the beautiful, intelligent daughters she cherishes. The triumph of her story is its sensitive rendering of how all three women have dug deep for forgiveness and a return to profound love.